The Luthier of Keman (The Children Of Man)

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Sometimes the two notes are identical for instance, playing a fingered A on the D string against the open A string , giving a ringing sort of "fiddling" sound. Playing an open string simultaneously with an identical stopped note can also be called for when more volume is required, especially in orchestral playing. Some classical violin parts have notes for which the composer requests the violinist to play an open string, because of the specific sonority created by an open string.

Double stopping is when two separate strings are stopped by the fingers, and bowed simultaneously, producing a sixth, third, fifth, etc. Double-stops can be indicated in any position, though the widest interval that can be double-stopped naturally in one position is an octave with the first finger on the lower string and the fourth finger on the higher string. Nonetheless, intervals of tenths or even more are sometimes required to be double-stopped in advanced playing, resulting in a very stretched left-hand position with both fingers extended.

The term "double stop" is often used to encompass sounding an open string alongside a fingered note. Where three or four more simultaneous notes are written, the violinist will typically "split" the chord, choosing the lower one or two notes to play first before promptly continuing onto the upper one or two notes.

A "triple stop" with three simultaneous notes is possible in some circumstances. The bow will not naturally strike three strings at once, but if there is sufficient pressure in the bowstroke the middle string can be bent down temporarily so all three can sound. This is accomplished with a heavy stroke, typically quite near the heel, and quite loud.

Double stops in orchestra are divided between the players if they are not at ease with them, with half of the musicians playing the lower note and the other half playing the higher note. Sometimes, the composer will write "divisi" when he intends the two lines to be played separately. Playing double stops is common when the violins do accompaniment and another instrument plays the melody. In some Baroque music neither split-chord nor triple-stop is appropriate and violinists will arpeggiate all chords and even what appear to be regular double stops , playing all notes individually as if they had been written as a slurred figure.

In some musical styles, a sustained open string drone can be played during a passage mainly written on an adjacent string, to provide a basic accompaniment. This is more often seen in folk traditions than in classical music. However, in Baroque violins, triple-stopping came more naturally due to the bridge being less curved, so it could be played that way. Vibrato is a technique of the left hand and arm in which the pitch of a note varies subtly in a pulsating rhythm.

While various parts of the hand or arm may be involved in the motion, the end result is a movement of the fingertip bringing about a slight change in vibrating string length, which causes an undulation in pitch. Some violinists oscillate backwards, or lower in pitch from the actual note when using vibrato, since it is believed that perception favors the highest pitch in a varying sound.

Scales and other exercises meant to work on intonation are typically played without vibrato to make the work easier and more effective. Music students are often taught that unless otherwise marked in music, vibrato is assumed. However, it has to be noted that this is only a trend; there is nothing on the sheet music that compels violinists to add vibrato. This can be an obstacle to a classically trained violinist wishing to play in a style that uses little or no vibrato at all, such as baroque music played in period style and many traditional fiddling styles.

Vibrato can be produced by a proper combination of finger, wrist and arm motions. One method, called hand vibrato , involves rocking the hand back at the wrist to achieve oscillation, while another method, arm vibrato , modulates the pitch by rocking at the elbow. A combination of these techniques allows a player to produce a large variety of tonal effects.

The "when" and "what for" and "how much" of violin vibrato are artistic matters of style and taste. Different teachers, music schools and styles of music favour different vibrato styles. For example, overdone vibrato may become distracting. In acoustic terms, the interest that vibrato adds to the sound has to do with the way that the overtone mix [31] or tone color, or timbre and the directional pattern of sound projection change with changes in pitch. By "pointing" the sound at different parts of the room [32] [33] in a rhythmic way, vibrato adds a "shimmer" or "liveliness" to the sound of a well-made violin.

Vibrato is, in a large part, left to the discretion of the violinist. Different types of vibrato will bring different moods to the piece, and the varying degrees and styles of vibrato are often characteristics that stand out in well-known violinists. Vibrato can also be used for a fast trill. A trill initiated from just hammering the finger up and down on the fingerboard will create a harsher quality than with a vibrato trill.

For example, if trilling on the first finger, the second finger is placed very slightly off the string and vibrato is implemented. The second finger will lightly touch the string above the first finger causing the pitch to change. This has a softer quality and many think it is nicer-sounding than a hammered trill. Note: this trill technique only works well for semi-tonal trills, it is far more difficult to vibrato trill for an interval of a tone or more. A major scale arco and pizzicato Beginning of an A major scale with vibrato A major scale played col legno Natural harmonics of an A, E, and an A Artificial false harmonic of A 7.

Lightly touching the string with a fingertip at a harmonic node , but without fully pressing the string, and then plucking or bowing the string, creates harmonics. Instead of the normal tone, a higher pitched note sounds. Each node is at an integer division of the string, for example half-way or one-third along the length of the string. A responsive instrument will sound numerous possible harmonic nodes along the length of the string.

Harmonics are marked in music either with a little circle above the note that determines the pitch of the harmonic, or by diamond-shaped note heads. There are two types of harmonics: natural harmonics and artificial harmonics also known as false harmonics. Natural harmonics are played on an open string. The pitch of the open string when it is plucked or bowed is called the fundamental frequency. Harmonics are also called overtones or partials. They occur at whole-number multiples of the fundamental, which is called the first harmonic. The second harmonic is the first overtone the octave above the open string , the third harmonic is the second overtone, and so on.

The second harmonic is in the middle of the string and sounds an octave higher than the string's pitch. The third harmonic breaks the string into thirds and sounds an octave and a fifth above the fundamental, and the fourth harmonic breaks the string into quarters sounding two octaves above the first. The sound of the second harmonic is the clearest of them all, because it is a common node with all the succeeding even-numbered harmonics 4th, 6th, etc. The third and succeeding odd-numbered harmonics are harder to play because they break the string into an odd number of vibrating parts and do not share as many nodes with other harmonics.

Artificial harmonics are more difficult to produce than natural harmonics, as they involve both stopping the string and playing a harmonic on the stopped note. Using the octave frame the normal distance between the first and fourth fingers in any given position with the fourth finger just touching the string a fourth higher than the stopped note produces the fourth harmonic, two octaves above the stopped note.

Finger placement and pressure, as well as bow speed, pressure, and sounding point are all essential in getting the desired harmonic to sound. And to add to the challenge, in passages with different notes played as false harmonics, the distance between stopping finger and harmonic finger must constantly change, since the spacing between notes changes along the length of the string. The harmonic finger can also touch at a major third above the pressed note the fifth harmonic , or a fifth higher a third harmonic. These harmonics are less commonly used; in the case of the major third, both the stopped note and touched note must be played slightly sharp otherwise the harmonic does not speak as readily.

In the case of the fifth, the stretch is greater than is comfortable for many violinists. In the general repertoire fractions smaller than a sixth are not used. However, divisions up to an eighth are sometimes used and, given a good instrument and a skilled player, divisions as small as a twelfth are possible. There are a few books dedicated solely to the study of violin harmonics.

Two comprehensive works are Henryk Heller's seven-volume Theory of Harmonics , published by Simrock in , and Michelangelo Abbado's five-volume Tecnica dei suoni armonici published by Ricordi in Elaborate passages in artificial harmonics can be found in virtuoso violin literature, especially of the 19th and early 20th centuries.

The Luthier of Keman (A Children of Man short story)

A section of the third movement of Violin Concerto No. When strings are worn, dirty and old, the harmonics may no longer be accurate in pitch. For this reason, violinists change their strings regularly. The strings may be sounded by drawing the hair of the bow held by the right hand across them arco or by plucking them pizzicato most often with the right hand. In some cases, the violinist will pluck strings with the left hand. This is done to facilitate transitions from pizz to arco playing.

It is also used in some virtuoso showpieces. Left hand pizzes are usually open strings. Pizz is used on all of the violin family instruments; however, the systematic study of advanced pizzicato techniques is most developed in jazz bass , a style in which the instrument is mostly played pizzicato. The right arm, hand, and bow and the bow speed are responsible for tone quality, rhythm , dynamics , articulation , and most but not all changes in timbre. The player draws the bow over the string, causing the string to vibrate and produce a sustained tone.

The bow is a wooden stick with tensioned horsetail hair, which has been rosined with a bar of rosin. The natural texture of the horsehair and the stickiness of the rosin help the bow to "grip" the string, and thus when the bow is drawn over the string, the bow causes the string to sound a pitch.

Where to find Elizabeth Mock online

Bowing can be used to produce long sustained notes or melodies. With a string section , if the players in a section change their bows at different times, a note can seem to be endlessly sustainable. As well, the bow can be used to play short, crisp little notes, such as repeated notes, scales and arpeggios, which provide a propulsive rhythm in many styles of music. The most essential part of bowing technique is the bow grip. It is usually with the thumb bent in the small area between the frog and the winding of the bow. The other fingers are spread somewhat evenly across the top part of the bow.

The pinky finger is curled with the tip of the finger placed on the wood next to the screw. The violin produces louder notes with greater bow speed or more weight on the string. The two methods are not equivalent, because they produce different timbres; pressing down on the string tends to produce a harsher, more intense sound. One can also achieve a louder sound by placing the bow closer to the bridge. The sounding point where the bow intersects the string also influences timbre or "tone colour".

Playing close to the bridge sul ponticello gives a more intense sound than usual, emphasizing the higher harmonics; and playing with the bow over the end of the fingerboard sul tasto makes for a delicate, ethereal sound, emphasizing the fundamental frequency. Suzuki referred to the sounding point as the Kreisler highway ; one may think of different sounding points as lanes in the highway. Various methods of attack with the bow produce different articulations. There are many bowing techniques that allow for every range of playing style and many teachers, players, and orchestras spend a lot of time developing techniques and creating a unified technique within the group.

A note marked pizz. The index finger is most commonly used here. In left-hand pizzicato, two fingers are put on the string; one usually the index or middle finger is put on the correct note, and the other usually the ring finger or little finger is put above the note. The higher finger then plucks the string while the lower one stays on, thus producing the correct pitch.

By increasing the force of the pluck, one can increase the volume of the note that the string is producing. Pizzicato is used in orchestral works and in solo showpieces. In orchestral parts, violinists often have to make very quick shifts from arco to pizzicato, and vice versa. A marking of col legno Italian for "with the wood" in the written music calls for striking the string s with the stick of the bow, rather than by drawing the hair of the bow across the strings.

This bowing technique is somewhat rarely used, and results in a muted percussive sound. The eerie quality of a violin section playing col legno is exploited in some symphonic pieces, notably the "Witches' Dance" of the last movement of Berlioz's Symphonie Fantastique. Some violinists, however, object to this style of playing as it can damage the finish and impair the value of a fine bow, but most of such will compromise by using a cheap bow for at least the duration of the passage in question.

A smooth and even stroke during which bow speed and weight are the same from beginning of the stroke to the end. Literally hammered , a strongly accented effect produced by releasing each bowstroke forcefully and suddenly. It is sometimes indicated in written music by an arrowhead. Tremolo is the very rapid repetition typically of a single note, but occasionally of multiple notes , usually played at the tip of the bow. Tremolo is marked with three short, slanted lines across the stem of the note. Tremolo is often used as a sound effect in orchestral music, particularly in the Romantic music era and in opera music.

Attaching a small metal, rubber, leather, or wooden device called a mute , or sordino , to the bridge of the violin gives a softer, more mellow tone, with fewer audible overtones ; the sound of an entire orchestral string section playing with mutes has a hushed quality. The mute changes both the loudness and the timbre "tone colour" of a violin. The conventional Italian markings for mute usage are con sord. Larger metal, rubber, or wooden mutes are widely available, known as practice mutes or hotel mutes. Such mutes are generally not used in performance, but are used to deaden the sound of the violin in practice areas such as hotel rooms.

For practicing purposes there is also the mute violin , a violin without a sound box. Since the Baroque era, the violin has been one of the most important of all instruments in classical music , for several reasons. The tone of the violin stands out above other instruments, making it appropriate for playing a melody line.


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In the hands of a good player, the violin is extremely agile, and can execute rapid and difficult sequences of notes. Violins make up a large part of an orchestra , and are usually divided into two sections, known as the first and second violins. Composers often assign the melody to the first violins, typically a more difficult part using higher positions, while second violins play harmony, accompaniment patterns or the melody an octave lower than the first violins.

A string quartet similarly has parts for first and second violins, as well as a viola part, and a bass instrument, such as the cello or, rarely, the double bass. The earliest references to jazz performance using the violin as a solo instrument are documented during the first decades of the 20th century. Joe Venuti , one of the first jazz violinists, is known for his work with guitarist Eddie Lang during the s.

While not primarily jazz violinists, Darol Anger and Mark O'Connor have spent significant parts of their careers playing jazz. The Indian violin, while essentially the same instrument as that used in Western music, is different in some senses. The tonic sa do is not fixed, but variably tuned to accommodate the vocalist or lead player.

The way the musician holds the instrument varies from Western to Indian music. In Indian music the musician sits on the floor cross-legged with the right foot out in front of them. The scroll of the instrument rests on the foot. This position is essential to playing well due to the nature of Indian music. The hand can move all over the fingerboard and there is no set position for the left hand, so it is important for the violin to be in a steady, unmoving position. Up through at least the s, most types of popular music used bowed string sections. They were extensively used in popular music throughout the s and early s.

With the rise of swing music , however, from to , the string sound was often used to add to the fullness of big band music. Following the swing era , from the late s to the mids, strings began to be revived in traditional pop music. This trend accelerated in the late s, with a significant revival of the use of strings, especially in soul music. Popular Motown recordings of the late s and s relied heavily on strings as part of their trademark texture. The rise of disco music in the s continued this trend with the heavy use of string instruments in popular disco orchestras e. With the rise of electronically created music in the s, violins declined in use, as synthesized string sounds played by a keyboardist with a synthesizer took their place.

However, while the violin has had very little usage in mainstream rock music , it has some history in progressive rock e. The fiddle is sometimes a part of British folk rock music, as exemplified by the likes of Fairport Convention and Steeleye Span. The popularity of crossover music beginning in the last years of the 20th century has brought the violin back into the popular music arena, with both electric and acoustic violins being used by popular bands. Dave Matthews Band features violinist Boyd Tinsley.

James ' Saul Davies , who is also a guitarist , was enlisted by the band as a violinist. For their first three albums and related singles, the British group No-Man made extensive use of electric and acoustic solo violin as played by band member Ben Coleman who played violin exclusively. Pop-Punk band Yellowcard has made a mainstay of violin in its music. Violinist Sean Mackin has been a member of the band since Los Salvadores also combine punk and ska influences with a violin.

The violinist Carlos Prieto a. Independent artists, such as Owen Pallett , The Shondes , and Andrew Bird , have also spurred increased interest in the instrument. Like many other instruments used in classical music , the violin descends from remote ancestors that were used for folk music. Following a stage of intensive development in the late Renaissance , largely in Italy , the violin had improved in volume, tone, and agility , to the point that it not only became a very important instrument in art music, but proved highly appealing to folk musicians as well, ultimately spreading very widely, sometimes displacing earlier bowed instruments.

Ethnomusicologists have observed its widespread use in Europe, Asia, and the Americas. When played as a folk instrument, the violin is usually referred to in English as a fiddle although the term fiddle can be used informally no matter what the genre of music. Worldwide, there are various stringed instruments such as the wheel fiddle and Apache fiddle that are also called "fiddles".

Fiddle music differs from classical in that the tunes are generally considered dance music, [44] and various techniques, such as droning, shuffling, and ornamentation specific to particular styles are used. In many traditions of folk music, the tunes are not written but are memorized by successive generations of musicians and passed on [44] in what is known as the oral tradition.

Many old-time pieces call for cross-tuning , or using tunings other than standard GDAE. Some players of American styles of folk fiddling such as bluegrass or old-time have their bridge's top edge cut to a slightly flatter curve, making techniques such as a "double shuffle" less taxing on the bow arm, as it reduces the range of motion needed for alternating between double stops on different string pairs. Fiddlers who use solid steel core strings may prefer to use a tailpiece with fine tuners on all four strings, instead of the single fine tuner on the E string used by many classical players.

As well as the Arabic rababah , the violin has been used in Arabic music. Electric violins have a magnetic or piezoelectric pickup that converts string vibration to an electric signal. A patch cable or wireless transmitter sends the signal to an amplifier of a PA system. Electric violins are usually constructed as such, but a pickup can be added to a conventional acoustic violin. An electric violin with a resonating body that produces listening-level sound independently of the electric elements can be called an electro-acoustic violin.

To be effective as an acoustic violin, electro-acoustic violins retain much of the resonating body of the violin, and often resemble an acoustic violin or fiddle. The body may be finished in bright colors and made from alternative materials to wood. These violins may need to be hooked up to an instrument amplifier or PA system. Some types come with a silent option that allows the player to use headphones that are hooked up to the violin. These violins can be plugged into effect units , just like an electric guitar , including distortion , wah-wah pedal and reverb.

Since electric violins do not rely on string tension and resonance to amplify their sound they can have more strings. For example, five-stringed electric violins are available from several manufacturers, and a seven string electric violin with three lower strings encompassing the cello 's range is also available. Violin authentication is the process of determining the maker and manufacture date of a violin. This process is similar to that used to determine the provenance of art works. As significant value may be attached to violins made either by specific makers or at specific times and locations, forgery and other methods of fraudulent misrepresentation can be used to inflate the value of an instrument.

From Wikipedia, the free encyclopedia. This article is about the standard violin. For other uses, see Violin disambiguation. Violin making and maintenance. Main article: History of the violin. Main article: Violin construction and mechanics. Main article: strings section of Violin construction. Main article: Sound production string instruments. Main articles: Bow music and Violin construction bow. Main article: Playing the violin. Play media. Violin sounds and techniques. Open strings arco and pizzicato A major scale arco and pizzicato Beginning of an A major scale with vibrato A major scale played col legno Natural harmonics of an A, E, and an A Artificial false harmonic of A 7 Harmonic glissando on the A string — KB.

Main article: Musical styles violin. This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. Main article: Fiddle. Main article: Electric violin.

Main article: Violin authentication. News X. Retrieved 5 September Accessed 5 September Dhar Ramakrisna Vedanta Math. Violinists Can't Tell". New York Times. Retrieved April 9, Retrieved Online Etymology Dictionary. Retrieved 20 May Houghton Mifflin Harcourt. Encyclopedia Britannica.

Retrieved 6 April London: William Reeves: Metropolitan Museum of Art. Archived from the original on The Oxford Dictionary of Music. Oxford University Press. Viol and Lute Makers of Venice Venice, Italy: Venice Research. BBC News. Orchestration , p. Violin Society of America.

Psychology of Music , The Violin. Jacobs' Band Monthly, Volume 4. Retrieved November 16, Cultivation of the Violin Vibrato Tone. Central States Music Publishing Company. String Builder, Book 3: Teacher's Manual. New York: Alfred Publishing. Start from the original position and for the second 8th note the wrist is to move backward toward the scroll. Do this in triplets, dotted 8ths and 16ths, and 16th notes. A week or two later, the vibrato may be started on the Violin. The procedure will be as follows: 1.

Roll the finger tip from this upright position on the note, to slightly below the pitch of this note. Archived from the original on 7 February Retrieved 11 February Accordingly, the sound level of each harmonic will have a periodically fluctuating value due to the vibrato. Strad Magazine. Archived from the original on May 29, Retrieved May 23, The writing of "Shatter" is done in a manner that's accessible to all. You don't need a dictionary by your side to read this book, but Miss Mock doesn't "dumb down" to her audience either. Even before I finished reading this book, I was recommending this book for my friends.

To use some cooking analogy's, this book is hot! It's a slow burner but will keep you simmering all the way through. I stayed up very late to finish this, which is rare for me as I have two young girls that get me up at the crack of dawn! Even though I read through the synopsis what the book delivers is so much more. The characters are flawed but so well rounded. They all have their strengths and weaknesses which makes them likeable. There is humour in this book, as well What There is humour in this book, as well as "serious" stuff, like loneliness, the guilt which an abusee can feel, trust to name but a few.

I use my Kindle app to read new books and new authors but not many actually make the transfer over from virtual to reality. This book does! I will be buying the hard copy of this, the second Rendered and any other ones that come along in this series. Dec 26, Erica rated it it was amazing. I'm not normally big on fantasy writing as detailed as this, as I find myself lost within the first chapter of the book.

However, Ms. Mock kept me intrigued right up to the cliff-hanger of an ending in her first book in the Children of Man Series. She weaves a deep and enticing tale full of magic and Scions, while still creating a vibrant fantasy world so well described that I could probably navigate on my own. Every one of her characters are enchanting, intense and easy to love. And that's sayi I'm not normally big on fantasy writing as detailed as this, as I find myself lost within the first chapter of the book.

And that's saying a lot considering the fact that she introduces MANY leading characters. My only problem is figuring out what I'm going to read while I wait on her next book! It has been 7 years since the author released a full length book in this series. It's a shame since this was going to be a good series. I had given this 5 stars but will be giving it a lower rating until such a time as the series is complete.

There was some hope for a conclusion in but all that was added was a very short back story for a couple of the characters. This book has the feel of LoTR. I liked the characters and the interaction between them. A very real feeling world. Shatter was about choices made and the consequences faced. A promising new series! Feb 05, Snowstorm rated it it was amazing Recommends it for: Those who like fantasy. I picked this book up as a freebie ebook from Amazon.

I would have definitely paid for it and plan on getting the second book as soon as it comes out. The book is fantasy set in an alternate universe where magic exists. The book has quite a few "main" characters and the beginning they are all introduced one after the other. Some might find the beginning a little rough, but the story quickly draws you in. Each character has their own unique personality and I thought were well defined. The dialog I picked this book up as a freebie ebook from Amazon. The dialog was easy to read and seemed to flow naturally.

I found it well worth the read and had to force myself to put it down so I could play Rift beta with the hubby. Apr 30, Kelly rated it it was amazing. Absolutely fabulous. Well written imagination with color magic. And the good thing is that people die Jun 02, Justyn Rampa rated it it was amazing Shelves: fantasy. So I picked this up once I first got it and got about pages in and then life got in the way and I didn't have the time to give the book as much attention as I wanted to give it.

Fast forward a year or so later and I have a pocket of time when I am suddenly struck that I want to play a Final Fantasy game and read something that puts me in that mindset. One with an el So I picked this up once I first got it and got about pages in and then life got in the way and I didn't have the time to give the book as much attention as I wanted to give it. One with an elaborate magic system, a group of travelers with different abilities who assemble over the course of the book to eventually face a larger than life evil threat.

So basically, it was the literary equivalent of a Final Fantasy game. Or at least that is what I thought and after finishing it I felt as though that assessment was pretty fair. Though this book does not have nearly as many Chocobos:- I say this all to establish mindset because I am a very emotional reader.

I respond to how books make me feel! I select books based on where my head is at the time or what mood I happen to be in that day. My favorite is when a book ends up being exactly what I wanted at that moment in my life and such was the case with Shatter. I have an early edition with a different cover that was printed in July of I hear that the author is working on revisions at the moment, which I suspect that shouldn't take too long because all the important parts of the book totally worked for me.

The Plot: There is a prophecy early on in the book which is great and it is delivered in a very jarring prologue scene that you don't understand until much later in the book which is even greater! I love starting with a sense of disorientation. Now, the prophecy was way too long for me to remember so I would constantly find myself referring back to it to try and figure it out, and by the end of the book we do get some answers. Overall, the plot was very intricate and comes together seamlessly by the end.

Elizabeth Mock starts the book with several threads that come together and create something rather compelling! This was definitely one of those books that builds in such a way that I find myself racing to finish it and am left breathless at the end! The Characters: By the end of the book, I have long since fallen in love with the characters and care deeply for them.

Except the ones that are evil incarnate, but even then I hate them with a burning passion! The only characters I didn't immediately warm too were the twins, Eve and Sheridan. Whenever characters got to new points in the relationship, I believed it! The Magic System: It was such a part of the book that I will single it out.

I loved it! I loved the visual aspect of it and the reasoning behind it and the way it was used throughout the story. It was very clear that the author had a strong sense of the magic system she had created, which is necessary as the magic system is rather foundational to the story. The Grays: I just have to say that my absolute favorite part of the book was probably when we learn about the true nature of those that have turned. I won't say more than that so as to avoid spoilers, but to me this is where the book really took off and never came back down for a second.

The Language: I did struggle a bit with understanding what time period this world inhabited. Much of it felt old-world but the language really seemed quite contemporary at times. Also, I found the inclusion of "yeah"s at the end of a sentence quite jarring. It is such a conscious decision by the author that I'm sure she had reasons behind it, but I never quite got it.

This of course made me consider the challenge of writing a language in a book and I don't really have any suggestions. Maybe I would have preferred some more Shatter specific words. I don't know. However, I did find myself thinking about "popping" to places and in fact that imagery invaded my dreams. The Ending: So endings are really important to me. You can write the most amazing book, but if you ruin the ending I will have a hard time forgiving you and I will be left with a bad ending as my final memory of that experience.

Chapter 17 is one of my favorite moments in the book which starts off a bunch of revelations and although we get a bit of a respite, I really feel like the book kicks up to high gear here and we really don't come down until the last page where we only come down because there is no more text to read.

That being said the final chapters really build even more onto the plot and whip the reader into a greater frenzy. The Big Bad in the book is utterly terrifying because you really can't tell if this character believes in what they are doing or if it is all just an act to mask the terrible evil that lives underneath. I suspect maybe a bit of both although I forget where I read this, but the best villains are the ones written as though they believe themselves the hero. That definitely applies here. Oh, and there is also a character that comes into play a bit later in the book with whom I fell deeply in love and CAN NOT wait to see how they fare in the second book!

Also, the author is definitely willing to make sacrifices as there are some shocking moments in this book that reveal that basically, anything can happen. The danger is real which makes for a much more exciting read. I basically loved everything about the book and for a first time author, I feel like Elizabeth Mock really wrote the hell out of it. I am somewhat new to high fantasy so I don't have a lot to compare it to, but I will say that I appreciate that everything written had a reason to be in the story. I've read some fantasy authors who seem a bit indulgent and that is a big turn off.

The more I read the more I loved spending time in this world, especially with these characters! Looking forward to the next one!!! Jul 01, Conny Lenz rated it did not like it Shelves: dropped. I had high hopes for this book, but unfortunately the poor character development was too difficult for me to persevere with this. The story is interesting, but relationships between the characters suddenly appear when they only just met. I found it incredibly frustrating and disruptive to the story as a whole. Jun 21, Matthew rated it really liked it.

Wow, this book totally took me for a surprise. This was incredibly good book for an independent book with no publisher. I have had this thing sitting on my Kindle since , and I have no idea how I originally picked up. I am really glad I read it though. Shatter features a really strong set of female characters, which i always enjoy. The female characters are strong, capable and each have their own personalities. They are matched equally as well with a nice compliment.

At its outset this book Wow, this book totally took me for a surprise.

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At its outset this book feels like it might devolve into a YA romantic fantasy. There are twinges of it here and there in the story, but the author thankfully stays away from these and instead gives us much more interesting relationships tied between these characters based upon their different magic qualities. The story itself is fairly simple and to be honest that is perfectly fine. I enjoyed that all of the characters so far are "seasoned" and we didn't have to go through a "hero's journey".

It really makes to the book setup as a really pleasant lighter fantasy read and the story so far has focused a lot on the personally struggles of each character as they come together rather than on an epic journey they all must solve. I also really enjoyed the magic system i this world. While a bit difficult to understand at first, the concept of colors really worked well when you juxtapose it against the traditional concepts of "light" and "dark" magic.

A simple index at the beginning of the book would have helped tremendously and you unfortunately don't get an explanation until about halfway through. Ultimately you are not going to get a book here that is a ground breaking and epic. The story is very straightforward, but it is really well written and features just the right amount elements thrown in at the right times to keep me progressing forward.

The internal character focus so far has been really enjoyable. Go out there and pick this up. Sep 29, Avardsin rated it it was amazing. The best way to describe this book is like a jigsaw. You keep getting pieces until you build up a picture. To me that exactly what this book is like. Roughly, for the first half of the book I felt like I needed a codex and was missing something like a previous book as the book keeps throwing information at you like already know what its referring to.

For Example:- Revelation moment "You're a gray. What's a gray? Have I missed something? What the heck happening? This book t The best way to describe this book is like a jigsaw. This book takes patience. Its a journey, but by the end Well you still won't know a lot of things but you will have a good base understanding of the story. Character development wise..

In-fact I would say character development in this book is one of the best I've seen. Each character in this book actually feels like a character in a unique way. Ok, I know I haven't yet wrote about the actual story, or characters The less you know about this story, the better it will be when its revealed in the book. As mentioned above patience required for this book, but stick to it and just enjoy the story. This book does contain fantasy aspects such as magic and magical elements, but not 'high fantasy' and its a human world and if you looking for a compelling story with lots of adventure, then I believe this could be the book for you.

May 03, Elizabeth rated it really liked it. I'm giving this four stars because there were several things I loved about the book and only a couple of things I didn't like. First the good: The author creates a rich cast of characters. She skillfully immerses you in their world so that by the end of the book, you feel attached to them. The use of magic in the book is imaginative and entertaining- I loved that there were different kinds of magic represented by different colors although they were confusing at first. The plot line was engagin I'm giving this four stars because there were several things I loved about the book and only a couple of things I didn't like.

The plot line was engaging, it reminded me a little of The Lord of the Rings.

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The protagonist starts off on a quest of great importance, and along the way picks up strangers who insist on accompanying her all for various reasons on her journey. Themes of friendship, redemption, paternal protectiveness, and loyalty are all integral to the plotline. Now, the not so good: The author's constant shifting of point of view between characters was disorienting, especially in the first several chapters.

I don't have a problem with the story being told from more than one character's perspective, but I think it is too confusing to switch POV several times in one scene. It makes it more difficult to really identify with the characters if the POV is constantly changing. Also, the novel had a few mistakes that should have been caught in the editing process, but none that truly distracted me. Despite the minor problems with the book, I would enthusiastically recommend this novel.

Promentory (Last of the Mohicans Theme) Violin Cover - Taylor Davis

The author is very talented and I am eagerly anticipating the next installment in this series. Jun 29, Michael rated it really liked it. At the same time it may also be looked at from a reader's perspective. The author independently released the first two books of this series So perhaps the series will be purchased in and then the first book will need to be re-edited and released and then the second book will need to go thru the same process so Yes I liked this book alot I will not be reading book two until book 3 is actually available I have been burned before yes I'm still wailing at you grr martin Also should note I really liked that the author did not fill in the blanks so to speak letting the reader struggle to some degree figuring our the magic system and history and slowly letting info slip into the story line as the book progresses.

View 1 comment. May 21, Chaynyth rated it really liked it Recommends it for: adults, fantasy fans, magic related. Shelves: fiction , favorites , fantasy. Loved this, eagerly awaiting the next one in the series.

Color Beyond Shade

The world building in this book is amazing and consistent. Magic system is intriguing without all the details being tediously hashed out. Inter-group politics are covered well without seeming far-fetched a relief, some books tend towards overblown conflict without solid motivation, imnsho. Only gripe is that the perspective shifts drastically between chapters and sometimes the transition to other groups of characters is lacking leading Loved this, eagerly awaiting the next one in the series.

Only gripe is that the perspective shifts drastically between chapters and sometimes the transition to other groups of characters is lacking leading one to scramble a bit to figure out who the author is talking about. Names for the characters earlier on would have been helpful. At one point, the shifting was bad enough that I was sure that I was reading some other book at the same time with a similar world but some totally different character pair I wasn't, the author just spent more than four chapters away from the opening pair and it threw me. I probably would have done better with a paper copy instead read it on Kindle where I could flip back more easily to be sure of character continuity.

Otherwise, though, an incredible book and a lot of fun. Oct 25, Ruhegeist rated it liked it Shelves: ebook , fantasy. This book would have gotten a 2 if it hadn't been free. There was as everyone points out a serious lack in editing. Inconsistencies, contradictions, and lack of thought plagued the plot. I liked the idea behind the magic of this world but this seemed to be something the author was working out during the writing of the book rather then a fully formed concept. Also, certain characters and whole scenes needed much better development.

I appreciated the humor even if sometimes it was too broad and This book would have gotten a 2 if it hadn't been free. I appreciated the humor even if sometimes it was too broad and childish to help get a reader through the epic trial bits. Better editing would have given this book far more polish and increased its readability. Mock has a great story that would have kept me reading the entire series if she hadn't rushed to get this first book out. I would get the second book but again, only if it is free. I kept thinking about how much this reminded me of a final fantasy adventure.

There were also alot of parallels with the Wheel of Time series which is a good thing to me. The story has a great magic system, well thought out and detailed. It wasn't an info dump in the first chapter but slowly realized throughout the first and 2nd books. The situation and character developments are realistic and believable - There isn't a stereotypical model for any of main characters.

Around Main POV's - th I kept thinking about how much this reminded me of a final fantasy adventure. Around Main POV's - they switch back and forth throughout the books, which took a couple chapters to get used to. Afterwards it became a seamless transition. I loved the writing style, story, plot and character dev.

Overall a fantastic read that I'd highly recommend Very few books stick with me for a long time, but this one has. I read it over a year ago and I still find myself thinking of it from time to time.


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It is a great story with such an imaginative group of characters you will feel like you know them personally. The book is impossible to put down and truly worth the time to read it. You will NOT be dissappointed. Faela, Kade and Jair are so well illustrated, they Very few books stick with me for a long time, but this one has. Faela, Kade and Jair are so well illustrated, they come to life! You will fall in love. Dec 31, Brooke rated it really liked it Shelves: , ebook , reviewed , ownworld , magic. This book suprised me in many ways, mostly because from my experiance free books on the nook are horridly written, and have sub par plots and character development.

This book is very well written, the world, the characters, the magic, it all feels real while you read. You can't help but be sucked into this world. It did start out a little slow though, which is common to most novel like this, the author has to build up the world, introduce the characters, and sometimes that's just slightly boring This book suprised me in many ways, mostly because from my experiance free books on the nook are horridly written, and have sub par plots and character development.

It did start out a little slow though, which is common to most novel like this, the author has to build up the world, introduce the characters, and sometimes that's just slightly boring to read about. It does redeem itself soon after. Nov 08, Vanessa rated it it was amazing. There are different magical orders and colors of magic that seem to use the owner and not the other way around.

Took a bit for me to get into the book and get a grasp on the characters. There are many main characters and it read a bit like a soap opera until the characters started to come together. Each character has their own baggage and it takes a bit to come to the surface as well. The story ended at a cliff hanger. Once I got into the story I rather enjoyed it. Look forward to the next book. Not a book I would have found on my own.