Nouvelles oniriques (French Edition)

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Language: French. Brand new Book. Seller Inventory OMN Seller Inventory KNV Published by Edilivre About this Item: Edilivre, Condition: Brand New. For example, in a work by Blazy a relief-like pattern of colorful mildew grows out of a wall painted with tomato paste, while Echard sculptures and paintings associate materials such as wax, plants, technical objects, ready-mades and images and combines them with fabric, epoxy resin or other sticky liquids.

Art : Concept is pleased to announce that Whitney Bedford is part of Kaleidoscope, a group exhibition at the Saatchi Gallery in London. Courtesy of Saatchi Gallery, London. The conceptual elements of monochromatism, objectivisation of paint pigments, the reflection on colour, movement and shape become the focus of his research, and are codified into the original metaphysics of the painted surface, in a new, deeply lyrical form of abstraction, with a reference to photography. Further information. In March , a scandal was reported in the press […]. It also added a significant catalyst to revive street life by stimulating public reflections and debates on the omnipresent power of social media in the digital age and the paradoxical nature of high tech.

Art : Concept is pleased to announce that Hubert Duprat is part of the group exhibition Comme un boomerang, at le Chronographe, Nantes. Photo Fanny Trichet. Courtesy Le Chronographe, Nantes. Art : Concept is pleased to announce that Hubert Duprat is part of the group exhibition Comme un boomerang , at le Chronographe, Nantes.

Opening 14 February pm For more information about the exhibition. Courtesy Art: Concept, Paris. The minimalist installation, which includes paintings and sculptures, explores ideas of memory and the uncanny within the context of modernist architecture. This site-specific installation created for the Moody is a fable about resilience.


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It features burnt wood pallets depicting robots and animals working on the ruins of a post-apocalyptic landscape. It is a world that tries to become alive again on the consumed remains of an absurd way of life with its commercial exchanges, human relations, […]. It is a world that tries to become alive again on the consumed remains of an absurd way of life with its commercial exchanges, human relations, energy consumption, consumerism and waste. Michel Blazy b , Monaco is based in Paris.

The Moody is proud to present the first exhibition of his work in Texas. Art : Concept invites you to meet with Jean-Luc Blanc for a signing session to celebrate Turpentine 10, Saturday December 15 from 2 to 7 pm. Further information: […]. Preview Tuesday November 27, 6 — 8pm. Please join us for a special screening day at Art : Concept, Saturday November 17, with Jeremy Deller from 11am to 8pm. In this film, Deller explores the social history of the […]. In this film, Deller explores the social history of the UK between and through the lens of acid house and rave music.

The film is based on a real-life lecture given to a class of students in London. The work of photographer and researcher Geert Goiris can be summarized as a search for a suggestive visual language. The exhibition World Without Us will present works from the past 5 […]. Luc Tuymans conceived an intense visual experience presenting more than 80 works by 63 international artists, including 25 exhibited exclusively at Fondazione Prada.

Grossmann was born in in Metz, France and has been showing internationally for the past decade. This year he was awared the Prix Meurice. After graduation from art school in , Grossmann took up residence in […]. After graduation from art school in , Grossmann took up residence in Berlin; he now lives and works in Brussels. The Breeder is hosting Condo Unit Athens, from 25 October to 24 November with the participation of 8 international galleries. The Breeder is hosting Condo Unit Athens , from 25 October to 24 November with the participation of 8 international galleries.

Host galleries share their spaces with visiting galleries either by co-curating an exhibition together, or dividing their galleries and allocating spaces. The initiative encourages the evaluation of existing models, pooling resources and acting communally to propose an environment that is more conducive for experimental gallery exhibitions to take place internationally. In a more concentrated version of Condo called Condo Unit was also launched, where a smaller group of galleries were hosted in a single venue. Art : Concept is pleased to present Ulla von Brandenburg new solo exhibition at the Kunstmuseum, Bobb.

The artist has up to now developed an extensive, complex and characteristic oeuvre to which the Kunstmuseum Bonn and the Whitechapel Gallery London are devoting two different exhibitions and a joint, substantial publication. For more information about the […]. For more information about the exhibition. Our booth B.

For more information, please feel free to contact Didier Barroso didier galerieartconcept. Photo : Dorine Potel. Her large-format carpets, which are made with the technique of tufting, as well as her ceramics […]. Her large-format carpets, which are made with the technique of tufting, as well as her ceramics represent faces, animals, body parts, garments or everyday objects.

Frequently, colors, shapes and contours merge, giving the work something mysterious and chimerical. The small-format watercolors often find themselves in a similar limbo; they contract and expand at the same time. The choice of materials, the way they are processed and the contrasting colors turn her works into sensual objects.

They seduce you to be touched, stroked or even to immerse yourselves completely in them. For her first institutional solo exhibition in Germany, Achaintre presents a series of new psychedelically appearing works. Renowned for a body of work drawing on theatre and performance to explore complex social issues, von Brandenburg has also designed a colourful seating structure resembling a landscape, […].

Renowned for a body of work drawing on theatre and performance to explore complex social issues, von Brandenburg has also designed a colourful seating structure resembling a landscape, transforming spectator into participant. Filmed with children from the Arnhem Wharf Primary School, von Brandenburg explores the dynamics between the individual and the group; and the hopes of young people at a time when Brexit may limit opportunities for future generations.

Courtesy the artist. The diverse oeuvre of this internationally renowned Swiss sculptor will be presented with thirteen sculptures and installations as well as five films on both floors of the exhibition venue. Known […]. Known for his explosive performances, the artist has been working on an expanded concept of sculpture since the early s. Signer focuses on processes, material properties, and working with ordinary objects.

His works thus show connections to conceptual art, Land Art, and Arte Povera. Signer augments the three dimensions of sculpture with a fourth: time. Using moving everyday objects such as a moving lawnmower and flying model helicopters, the passing of time and traces of past events are also made visible and tangible as metaphors for transience. Michel Blazy is invited to realize an immersive and environmental installation at the galerie des Ponchettes in Nice.

Entitled Timeline, this installation is presented in parallel with the exhibition Cosmogonies presented at MAMAC which ask several artists to question our apprehension of the natural phenomena. Entitled Timeline , this installation is presented in parallel with the exhibition Cosmogonies presented at MAMAC which ask several artists to question our apprehension of the natural phenomena.

Together, these specialists in art brut and contemporary art have imagined an exhibition that examines […]. A walk through the various themes reveals a succession of some works, including installations, films, documents, paintings, drawings and sculptures. In her works, she combines various mediums such as sculpture, installation, film, performance, costume and music, paper cutting and wall drawing into symbolic overall productions.

The exhibition space is transformed into a theater stage, between […]. The exhibition space is transformed into a theater stage, between fiction and reality, role and identity. In doing so, she draws on historical elements of different origin and meaning, which are related to early modernity, among other things. The artist Ulla von Brandenburg has created an installation for the exhibition Experience Traps that can be seen from June 1st to September 23rd, The screening is part of […].

The screening is part of the event A Midsummer Play during which the book of the exhibition Experience Traps will be presented. After a first retrospective in and a major presentation in , which focused more on cross-references to politics and reality, now an extensive donation from the collection of Ursula Hauser—one of the early patrons of Roman Signer, among others—is the occasion […].

After a first retrospective in and a major presentation in , which focused more on cross-references to politics and reality, now an extensive donation from the collection of Ursula Hauser—one of the early patrons of Roman Signer, among others—is the occasion for the first presentation of a fantastic series of drawings and the installation that was created for the Venice Biennale in New interventions by Roman Signer will give the presentation the unmistakable dynamism and immediate contemporaneity that one can expect from the artist at any moment.

For its 8th exhibition in , the Villa Datris Foundation has chosen to explore the different modes of expression of contemporary sculpture through textile art, weaving and braiding. This theme has its roots in ancestral practices and evokes naturally the gestures on the loom, the weft and the warp, the comings and goings of the shuttle and the threads that intertwine and give substance to the textile material.

The artists of our time draw from these immemorial gestures a sensitive approach and sensual of the material, fibers, threads or twigs thus crossed and assembled. There is sometimes a philosophy close to that of Arte Povera , anxious to return to the destitution of origins, with modest materials or recovery. The approach of weaving or braiding also distresses the modern parameters of the emergency and reintroduces a another temporality.

This work of the hand is correlated with a perception of the work and time, and it introduces a real reflection on the notion of artifact. Gold is an object of desire and conquest, and a traditional symbol of power and wealth, but its plasticity also makes it the material of metamorphosis, a quality that has made it a favourite material in the arts. It includes archaeological objects ingots, funeral masks, jewellery, etc. Nuggets and jewels, statues and relics, and religious and ceremonial objects cover the various subjects addressed by the exhibition: our fascination with gold and its hoarding, the frantic quest for the precious metal and its negative impact on humankind and the environment, the technical aspects of its transformation from the most concrete actions to the alchemical illusion , its symbolic dimensions linked to divinity and power, and its festive, ritual and demonstrative aspects.

The exhibition also presents a blue grand drape Blue Curtain, , a barrier to be observed and traversed as […]. The exhibition also presents a blue grand drape Blue Curtain , , a barrier to be observed and traversed as though it were an abstract painting.


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  7. The exhibition is conceived as a production in three acts during which the spectator finds himself asking just where the boundary between reality and its representation actually lies. For this collaboration with an Italian institution curated by Massimiliano Gioni, the installation of Jeremy Deller consists of […]. For this collaboration with an Italian institution curated by Massimiliano Gioni, the installation of Jeremy Deller consists of an inflatable sculpture, representing on a scale 1 the archaeological site of Stonehenge, one of the founding places of the identity and the British culture, declared a World Heritage Site by UNESCO in The performance is co-produced by the Centre culturel suisse, and is held as part of the Extra Ball Festival.

    Since the mids, through his actions or sculptures, Roman Signer activates and reactivates paradoxes. His work questions the […]. T he performance is co-produced by the Centre culturel suisse , and is held as part of the Extra Ball Festival. His work questions the economy of the show, the idea of performance, the obsession with efficiency and our deep roots in functionalism. Taking up the figure of the metaphor, omnipresent in the film, the […].

    Taking up the figure of the metaphor, omnipresent in the film, the exhibition proposes a journey among works of modern and contemporary art that appropriate the architectures, symbols and objects of the past as means of survival of an identity in danger. For this solo show in Rome, Roman Signer will present sculptures and photographs from different times of his prolific production.

    Via the work of some 60 French or France-based artists, the exhibition uses studio work approaches to outline the filiations, revivals and forms of evolution at work from one generation or context to another. Sculpting studio strategies […]. Artists avail themselves of whatever comes to hand, from modelling clay to granite, plastic to plants, the natural to the manufactured, the act to its outcome, the body itself, and more. Ways of working that put the emphasis on raw materials to be assembled, reshaped, combined or recycled.

    The studio is for making: some of the guest artists are the sole creators of their works, in some cases drawing on personal mastery of traditional or artisanal techniques: for them creativity involves true savoir-faire. Others resort to the company of experts, sometimes from outside the domain of art, for the production process. This means no discontinuity between the three venues and no system of differentiation within the exhibition rooms. The accent is on osmosis between works, rather than thematic or generational associations.

    It is our hope that this innovative use of proximity will give rise to the same happy accidents — and the miracles — that come about in the studio. This feeling of melancholy remains at the heart of the problems we are confronted with today because the world we face is an inevitable cause for concern, especially given the irreversible climate change. The earth we know will never be the same: the digital revolution in the s has marked the beginning of a form of dehumanisation of human relationships, questioning how a person can remain a unique and irreplaceable being.

    Works by modern and contemporary artists presented in the exhibition explore issues such as nostalgia for a bygone era; for the depiction of solitude, absence, and passing time. Jean-Michel Sanejouand is part of the exhibition Los Amigos that explores the representation of friendship and problems of otherness. The relation to the other is a permanent construction whose shifting outlines vary according to the context, the moods and the desire of the partners. In this spirit, the exhibition Los Amigos is conceived as a […]. In this spirit, the exhibition Los Amigos is conceived as a project of affects and shared projections, where social and political events also resonate.

    It combines works from different periods — borrowed from private and public collections — and creations proposed for the occasion by young artists. A platform for dynamic exchange between artists, the public and the art center team, it invites everyone to interact. The exhibition has been built up around the clear […].

    The exhibition has been built up around the clear inversion between the period that runs from the s to the s, and the one that separates us from the start of the 21st century: the desire of artists to act in the cultural industry and circuits of entertainment, has now been replaced or else referred back to its warped reflection by celebrities in the cinema or music industry who use artistic formats.

    Based on this observation of substitution, the exhibition intends to unite the states of the relationship between art and entertainment, ranging from a criticism of the spectacular to the cultural horizon of celebrity, while stripping down their various mechanisms and tools. Her past and present works, hung on wall, presented on pedestal or on the floor, revolve on her cherished themes: women who have marked political, artistic, scientific history, theatre and stage costumes, dance and movement….

    Objets retournés

    New series of ceramics and wall hangings were produced whilst undertaking a joint residency between the De La Warr Pavilion and West Dean College, founded by British poet Edward James, a Surrealist protector. For Achaintre, the […]. New series of ceramics and wall hangings were produced whilst undertaking a joint residency between the De La Warr Pavilion and West Dean College , founded by British poet Edward James, a Surrealist protector.

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    For Achaintre, the mask is a place where fantasy and reality can exist at the same time. For more information, please feel free to contact us. Starting from carved scultpure artworks by Ossip Zadkine , the exhibition offers a reflection about this privileged material valued by artists. Assembling varied artworks sculpture, drawing, photograph, video […]. Assembling varied artworks sculpture, drawing, photograph, video or film of several generations of artists, the museum opens up dialogue in betweens archeology, primitive art, modern art and contemporary practice.

    Born in Monaco, Michel Blazy has gained an international reputation thanks to his installation work with living matter. Throughout the exhibition, spectators will be able to assist and document the progress and transformation of these constantly changing pieces.

    ISBN 13: 9782080708625

    More and more integrated into the youthful creation, and in order to support newly-graduated artists, the Collection Lambert proposes an innovative project wich is now part of the Museum artistic programme. Art : Concept is pleased to announce its participation in Art Basel Miami, first fair of contemporary art in the United States.

    For this edition, our presentation will create a dynamic dialogue between our French and internationals artists. Art : Concept is pleased to announce its participation in Art Basel Miami , first fair of contemporary art in the United States. Various theatres across the country present the images, and its documentary film from the BBC.

    Art : Concept also present two young and emerging artists with singular pictorial worlds: Miryam Haddad and Corentin Grossmann. See you on […]. See you on 0. For the French art scene, the 44th edition of FIAC is the international artistic event of the season; from modern art to contemporary art and design. Once again, this year, the fair welcomes twenty-nine countries, forty new galleries and many emerging artists. For more information, please feel free to contact us: Didier Barroso didier galerieartconcept. For they second collaboration, Cecilia Bengolea, Argentinian choreographer and dancer, and Jeremy […].

    For they second collaboration, Cecilia Bengolea, Argentinian choreographer and dancer, and Jeremy Deller, British artist, explore the question of the body, its role and place in cultural crossroads and exchanges. Centre Pompidou, from September 6 to September 16 New episode to discover every day. Centre Pompidou , from September 6 to September 16 Art : Concept is pleased to announce its participation in Art Basel.

    See you on booth P5! The artist is known for her use of a wide variety of mediums: installations, films, watercolors, murals, stage installations, performances, movies, texts, songs, etc. The fabric is ideal for that. It is cheap, easy to carry, adjustable. It is a nomadic material. The gallery is pleased to announce its participation in Art Monte Carlo Specifically, working with a dramaturg, a designer and the actors. Since the limits of this paper make it impossible to include the extensive work I do with actors, I have chosen to concentrate only on all the processes I undertake with my dramaturg and my designer.

    As an expert from the academic side of theatre, from pre-production to opening night, the dramaturg serves as a sounding board for ideas and a watchdog for the consistency of the concept, the imagery and the language. I have been extraordinarily lucky in this respect as a result of my ongoing work in Romania with a brilliant young woman by the name of Kinga Kelemen who, over the course of a number of productions, has became a true collaborator of this sort, in the fullest sense of the word.

    Generally speaking, it is the designer — in most of my recent productions, my colleague Miriam Guretzky — who is the first person other than me to see the first draft. This can be as early as eight or nine months before the beginning of rehearsals. The most important part of this process occurs once the basic concept of the space is clear and we have a working floor plan. From this point we undertake a painstaking, line by line examination of the adaptation, in an attempt to visualize how the space will function; where the entrances and exits will be, and what conventions will be used to enhance the overall concept and the flow of the action.

    Model for Act I of the Dybbuk the section in black are the audience seating Model for Act III of the Dybbuk Photos by Kinneret Kisch As shown in the photo above, in the first part of the play there were only four entrances, and a gallery surrounding the entire space. Within this space we had to develop the conventions that would serve a great variety of locations. Without going into too much detail, suffice it to say that the fundamental choice we made was that entrances and exits, and indeed, use of the entire space, would be based on fluid conventions that justified themselves briefly within each individual scene, then were immediately discarded and often never repeated.

    In the case of The Dybbuk, this process took months of intensive work, as our thinking about the dynamics of the play in that space progressed. Recreating a classic is an intimate, protracted and complex process [8] , which is extremely difficult to compress into words. It is a hugely rewarding journey, but one that always proceeds by unique pathways, none of which resemble the other. What I hope I have managed to do here is to give a bare outline of some of the principles involved in the hope that this will shed some light on the many forms of the journey.